Reading one of Jose Emilio Pacheco's poems aloud at Guanajuato tribute

Jose Emilio Pacheco died this year shortly before his 75th birthday which would have occurred today. The University of Guanajuato, along with universities in Mexico City, prepared a special tribute to this marvelous poet and novelist. The local event started with a short documentary about his life, then Guanajuato people were invited to read a favorite poem.

The news of Pacheco's death came through instantly on my cell phone. 

Many of Pacheco's poems are about animals, concrete instances of their cruel fate in a world dominated by humans. I picked a short poem called "Inmortalidad del Cangrejo" - The Immortality of the Crab - describing the fragility of the individual crab but still the species continues. After I read, the man behind me borrowed my book, choosing to read about the fate of an octopus that meets its death on a beach littered with plastic.

I moved to Mexico for many reasons but one push came from hearing a Mexican farm worker recite a long poem he knew by heart in front of an attentive audience in the Oregon countryside one Cinco de Mayo.

 I found the poem I read in the Spanish quality paperback edition I bought in Mexico City of Album de Zoologia,, a book of Pacheco's animal poems illustrated by the distinguished Oaxaca artist Francisco Toledo. Earlier the University of Texas Press published a bilingual edition.

Guanajuato Music: Trejo and Barajas Go for Baroque at the Gene Byron

In front of an intent spectator, the duo gets ready for the encore

Early this week, I was sitting on the terrace of my first floor apartment on a quiet side street in Pastita when I heard beautiful flute and cello playing. Must be a CD, I thought, although I had often heard my neighbor Luis Barajas practicing his cello. Two days later, when I saw Luis in the street, I mentioned hearing the music. He laughed and told me he and Cuautemoc Trejo, the first flautist of the UG Symphony Orchestra (OSUG), had been preparing for their concert at the Gene Byron on Sunday.

The two played works by Telemann, Bach, Handel and the 18th Century French flautist and composer, Michel Blavet. Born 20 years later than Telemann, Blavet played in the quartet that premiered Telemann's Paris Quartets for flute, violin, viola de gamba and cello in the City of Light. He was the preeminent French flautist of his day but, most of the music he composed for the instrument has not survived as only the easiest pieces were published for his students to perform.

The small but appreciative audience kept clapping for an encore and were rewarded with one movement by Bach. Not for the first time, a Guanajuato audience had the chance to expand its listening repertoire with an old-but-new work.

Poetry and music mark the passing of two revered Mexican poets

Jose Emilio Pacheco and Juan Gelman both died this winter. Pacheco's last day made front page news in Mexican papers; the news of his death came through immediately on my cell phone.

Both Gelman and Pacheco wrote in many genres but because  poetry is the queen of the literary arts in Mexico, the commemoration consisted of poems read by local readers and the extra fillip of Ana Cervantes playing music by Bach and several Romantic composers.

Carlos Ulises Mata and Dra. Asuncion Rangel of the University of Guanajuato organized the well-attended event. At an earlier tribute, a lecture and the showing of two films based on Pacheco's novels
honored another side of his work.

Gelman, although an Argentine through and through,
left his country for political reasons, living in Europe and eventually Mexico City.

Both he and Pacheco were honored with the Cervantes Prize.
As well as the legacy of their literary work, both left a legacy of activism.

For more information on both men, go to Wikipedia (in Spanish). Their poetry is available on several internet sites.