This show of Elizabeth Starcevic's weavings, which opened in early February, will be up until the end of the month (only a few days more!), well-displayed in two adjoining rooms at the Bellas Artes. As well as being a tribute to Starcevic's maestro Felix Perez Juarez who died a year ago, the exhibit is a fascinating passage through this weaver's twenty five years at the loom.
The large hanging in black and white with the red accent is Starcevic's take on a Moroccan design The image below it is a detail from a hanging for which Starcevic used African strip techniques. The prompt for the third weaving, one of nearly two dozen in the show, demonstrates the weaver's knack for making a contemporary visual statement based on a historical reality, in this case Charles Darwin's garden. Two of the three pieces shown are among my personal favorites, but visitors to the exhibit, will see many more motifs and techniques as well, including hangings with objects (think cigarette packs) attached.
As a friend said, turning from the black and white weaving to Starcevic, "I don't know why I like it but I do." He was grinning from ear to ear.
Elizabeth lives half the year in San Miguel and the other half in New York City. There the cultural powers-that-be recently chose one of her weavings for display in a NYC subway system passenger elevator. In addition to Starcevic' daily weaving stint, she serves as President of the San Miguel chapter of PEN International, the worldwide organization promoting the literary arts and human rights.
