20th Century Italian Artists at MAHG, Leon until January 31

My visits to Leon run the gamut, this time from eating tacos in a place I like a block off Lopez Mateos, walking to the art museum, and afterward stopping off at Costco.

The shopping bag even had the lettering we are used to seeing

Constance prompted me to watch for the loom

Above and beside, two toys I saw at the exhibit Mexican Toy Exhibit just ended, but they should all be back on permanent display at San Miguel's Toy Museum by now.

Below, a sampling of the variety in the Italian
exhibit: one of two striking fabric sculptures made of painted canvas; an embroidered geometric "painting" made up of tiny stitches; and of course, other paintings in many different styles, of which the horses by de Chirico shown are so different from the architectural-surreal painting we usually see reproduced.

Informative texts to guide the viewer through the exhibit.  

This exhibit of 20th century art from Italy is fascinating for showing how art crosses borders, both in themes and techniques. Highly recommended if you are going to Leon on a weekday as the traffic is slow and sidewalks crowded with the annual Fair in full swing.

Children's Room for classes (no one there on the weekend)
Note the enlargement of the needlework design

By the way, the fully accessible museum building and galleries are world class. The bookstore there has piles of good reads and picture books in Spanish.

Terry Elrod's beautiful blue drawing of Guanajuato Capital

Holiday greetings don't get any better than the one Terry created and sent as a seasonal greeting::

What Guanajuato children are doing through TAN473

Today I went to the TAN473 exhibit held in a gallery off the patio leading to UG's Cine Club.

Below a sampling of what I saw: busy children, names in bright colors [left], prints done by 8-12 year olds [below]. Katie Clancy started this project several years ago. It now reaches out to girls at Buen Pastor, boys in Irapuato and children who live in La Venada neighborhood.

TAN473's motto: Creativity+Education=Change,
The 473 in case you haven't guessed comes from the local telephone prefix. You can find out more by googling or going to Facebook. Donations and volunteers welcome.

What's more involving than a kid's own name?

Color, color, everywhere

                                                                  Prints that took patience

Individual art, group pride

Memorable Photo Exhibit of Mexican Japanese + Quotes

Held over through Sunday the 2nd...

Diego Rivera House-Museum
Positos No. 47, Guanajuato, Gto.
Tel. y Fax. 01 (473) 73 2 11 97
HORARIOS: Martes a Sábado: 10:00 a 19:00 hrs.
Domingos:10:00 a 15:00 hrs.
ENTRADA: $ 15.00 General, $ 5.00 Estudiantes

I happened to see this while I was reading Pico Iyer's book about his year in Japan. My take as the granddaughter of immigrants: A moving, thought-provoking exhibit enhanced by the excellent photo-portraits.

"We always had the liberty to do what we want but our parents told us,
"Do it well".

Watching over their museum?

Cervantino 2014: Exhibits Closing Sunday. Time Left for Rick Bartow

Seeing this, I experienced the fear
unleasshed anger arouses

If you only have time to see one exhibit, I recommend Rick Bartow's Dreams without Frontiers, curated by Oaxaca's Rene Bustamante and mounted along a patio wall beside UG's Cine Club. The artist was to have had a Cervantino exhibit several years ago but had to cancel. This year his work is part of the Cervantino but the exhibit is unlisted in the program book or agenda.I have admired Bartow's work since before I moved to Mexico, fortunately came upon it by chance today.

Rick Bartow identifies with his Yurok roots but I consider him  a "universal,": that is, world class artist. Among the painting titles in this small retrospective are For Fellini,The Dog that Attacks Me, Vietnam, Genet,and Shoki Dancing. 

Because the Guatemalan textile exhibit is outstanding, I'll mention it again. Viewers get a sense of how women and men from the indigenous language groups have woven their identity--you will see one photo that shows it isn't easy in a polarized society. Or if you prefer, just home in on the weaver-enbriuderers' mastery of design and color.

At the Alhondiga I spent most of my time looking at Rodrigo Moya's photos and reading what he said about his long career as a photographer.

While he was working as a videographer, a photographer acquaintance took him into his darkroom. "I was hooked," says Moya. "I was like an aborigine seeing his first machine."

You will see Moya's photos of celebrities outside the Alhondiga and inside his political photos shot in Mexico, Venezuela and Cuba. "From the beginning, I had two cameras," Moya states metaphorically, "one to shoot what I was told to shoot and the other for shooting what I wanted."

In the Alhondiga patio, you can walk among Capelo's Totems and Shamans and if you have time to lighten up, the illustrations upstairs at the Diego Rivera are delightful..I haven't seen the work of Guanajuato's printmakers yet at the Olga Costa.
                                                                                                                                                        








firs

Cervantino 2014: Photo Portraits of Women Writers at the Iconografico (MIQ)

In most of her photos, Nesher superimposes words on the body

Iris Nesher, an Italian-born photographer living in Israel, has photographed women writers, poets and playwrights, some Israeli, some from elsewhere. Besides her attention to light, composition and color, words chosen by the each woman make up an integral part of each photo..

Nesher takes a different tack here

.

 Although it doesn't show clearly,
there's a favorite Mexican image, Death, behind this writer.

Cervantino 2014 Graffitti anyone? Guanajuato's Newest, Largest

You'll find the Plaza de Toros near the State Auditorium

Guanajuato's white elephant, the Plaza de Toros, now catches the eye with bursts of color. The project took two months of planning and six days more for Guanajuato artists to fill their 50x30 meter space with a new Quixote. Nuevo Leon artists created the two other panels portraying the spirit of migration..The Cervantino and the city ofo Guanajuato were among a half dozen organizations underwriting the giant graffitti expected to be on view for many years.

The two lead artists explain the project

At the bottom, the artists' names

Cervantino 2014: Guatemalan Textiles - Design at its Finest

The photos below only hint at the wonder of the textiles on display at the Museo del Pueblo and at least one photo of the women who wear them demonstrate that maintaining ethnic identity this way isn't easy. Sorry, folks, Blogger isn't letting me line up the photos the way I would like.

Reading one of Jose Emilio Pacheco's poems aloud at Guanajuato tribute

Jose Emilio Pacheco died this year shortly before his 75th birthday which would have occurred today. The University of Guanajuato, along with universities in Mexico City, prepared a special tribute to this marvelous poet and novelist. The local event started with a short documentary about his life, then Guanajuato people were invited to read a favorite poem.

The news of Pacheco's death came through instantly on my cell phone. 

Many of Pacheco's poems are about animals, concrete instances of their cruel fate in a world dominated by humans. I picked a short poem called "Inmortalidad del Cangrejo" - The Immortality of the Crab - describing the fragility of the individual crab but still the species continues. After I read, the man behind me borrowed my book, choosing to read about the fate of an octopus that meets its death on a beach littered with plastic.

I moved to Mexico for many reasons but one push came from hearing a Mexican farm worker recite a long poem he knew by heart in front of an attentive audience in the Oregon countryside one Cinco de Mayo.

 I found the poem I read in the Spanish quality paperback edition I bought in Mexico City of Album de Zoologia,, a book of Pacheco's animal poems illustrated by the distinguished Oaxaca artist Francisco Toledo. Earlier the University of Texas Press published a bilingual edition.

Guanajuato Music: Trejo and Barajas Go for Baroque at the Gene Byron

In front of an intent spectator, the duo gets ready for the encore

Early this week, I was sitting on the terrace of my first floor apartment on a quiet side street in Pastita when I heard beautiful flute and cello playing. Must be a CD, I thought, although I had often heard my neighbor Luis Barajas practicing his cello. Two days later, when I saw Luis in the street, I mentioned hearing the music. He laughed and told me he and Cuautemoc Trejo, the first flautist of the UG Symphony Orchestra (OSUG), had been preparing for their concert at the Gene Byron on Sunday.

The two played works by Telemann, Bach, Handel and the 18th Century French flautist and composer, Michel Blavet. Born 20 years later than Telemann, Blavet played in the quartet that premiered Telemann's Paris Quartets for flute, violin, viola de gamba and cello in the City of Light. He was the preeminent French flautist of his day but, most of the music he composed for the instrument has not survived as only the easiest pieces were published for his students to perform.

The small but appreciative audience kept clapping for an encore and were rewarded with one movement by Bach. Not for the first time, a Guanajuato audience had the chance to expand its listening repertoire with an old-but-new work.

Guanajuato Art: Bats & Other Strange Animals

Just one of the exhibit's fantastic animals

The artist Vanessa Salas and poet Lirio Garduno combined forces for this exhibit. I went to the little gallery under the Compania church two days before it was taken down.Because the gallery was dark, my photo doesn't do justice to the work.

'Alas de paraguas . . ."

I don't know which came first, the witty poems or the prints, but it doesn't matter.I hope to see a book of this high-quality scary combination of wordplay and the printmaker's craft.                                                                                                .

Guanajuato-born Artist Feted for her First Book

The Museo Dieguino proved to be a perfect place to honor Isaura Izquierdo's first illustrated book, Manisa y las alas magicas / Manisa and the Magic Wings. 

Among my favorites

Isaura's collage illustrations were on view in the galleries at each end of the museum, with many Guanajuatenses joining Isaura and Martha Romero, the author, in the  large interior space, including her proud artist mother Loreta. Her equally proud father, the artist Raul Izquierdo, besides being up-to-date by congratulating  her on Facebook, was on hand for the presentation of the book a few days later   

Serious business for the illustrator, a pleasure for her audience

"A good beginning"

The book illustrations showed Isaura's imaginative perspectives as well as her patient dexterity in shaping the wings from doilies. After finishing at the University of Guanajuato, Isaura studied illustration at the San Carlos Museum in Mexico City.